AC Ace

The Ferrari 250 is a sports car built by Ferrari from 1953 to 1964. The company's most successful early line, the 250 series included several variants. It was replaced by the 275 and the 330.
1963 250 GTL / LussoMost 250 road cars share the same two wheelbases, 2,400 mm (94.5 in) for short wheelbase (SWB) and 2,600 mm (102.4 in) for long wheelbase (LWB). Most convertibles used the SWB type.
Nearly all 250s share the same engine: The Colombo Tipo 125 V12. At 2,953 cc (180 cu in), it is not a large engine even for the time, but its light weight and impressive output (up to 280 PS (206 kW; 276 hp)) made a big difference. The Ferrari V12 weighed hundreds of pounds less than its chief competitors — for example, it was nearly half the weight of the Jaguar XK straight-6.
The light V12 propelled the small Ferrari 250 racing cars to numerous victories.
Typical of Ferrari, the Colombo V12 made its debut on the race track, with the racing 250s preceding the street cars by three years.
A predecessor to the 250 line was the 225 S introduced at the 1952 Giro di Sicilia. Two of the two-seat sports prototypes were built, an open barchetta and closed coupe both by Vignale. Seven 225 S cars were entered at the Mille Miglia, but these were overshadowed by their larger-engined 250 S brother. Although not as heralded as the 250 line, the 225 did play one unique historical role: A 225 S tested at Imola was the first Ferrari to drive on that course.
The first of the 250 line was the experimental 250 S berlinetta prototype entered in the 1952 Mille Miglia. The company's newest product was entrusted to Giovanni Bracco and Alfonso Rolfo and was severely tested by the Mercedes-Benz 300SL racers run by Rudolf Caracciola, Hermann Lang, and Karl Kling. The little 230 PS (169 kW; 227 hp) Ferrari was outgunned in the long straights but fought back in the hills and curves and Bracco emerged victorious at the end. This same car was later entered at the 24 Hours of Le Mans and the Carrera Panamericana.
The little 250 S used a 2,250 mm (88.6 in) wheelbase with a "Tuboscocca" tubular trellis frame. Underneath were double wishbones at the front and a live axle located with double longitudinal semi-elliptic springs at the rear. Drum brakes and worm and sector steering were the norm. The dry-sump 3.0 L (2,953 cc (180 cu in)) engine used three Weber 36DCF carburettors and was mated directly to a five-speed manual transmission.
Lauding the success of the 250 S at the Mille Miglia, Ferrari showed a more-conventional chassis for the new 250 engine at the 1952 Paris Motor Show. Pinin Farina clothed this chassis, with the celebratory 250 MM coupe launched at the 1953 Geneva Motor Show. This car was almost plain by contemporary standards, but it possessed a certain purposefulness with its small grille and compact tail complete with a panoramic rear window. Carrozzeria Vignale's open barchetta also broke new styling ground, with recessed headlights and side vents becoming a staple of Ferrari design for the 1950s.
The 250 MM's wheelbase was longer than the 250 S at 2,420 mm (95.3 in), with the saloon 50 kg (110 lb) heavier than the 850 kg (1,874 lb) barchetta on a conventional tube frame. The V12 engine's dry sump was abandoned for the production car, and the transmission lost one cog as well, but power was up to 240 PS (177 kW; 237 hp).
Like the 250 S, the 250 MM was a racing car, debuting at the Giro di Sicilia with privateer Paulo Marzotto. A Carrozzeria Morelli-bodied 250 MM barchetta won the 1954 Mille Miglia with driver Clemente Biondetti, living up to its name. The V12-powered 250 MM was replaced by the four-cylinder 625 TF and 735 S later in 1953.
An unusual hybrid between the light four-cylinder 750 Monza and the 250 line was the 250 Monza of 1954. This model used the 250 engine in the short wheelbase chassis from the 750 Monza. The first two used the Pininfarina barchetta shape of the 750 Monza and a one-off 500 Mondial. Two more 250 Monzas were built by Carrozzeria Scaglietti, an early use of the now-familiar coachbuilder. Although a frequent entrant through 1956, the 250 Monzas failed to gain much success and the union of the Monza chassis and 250 engine was not pursued beyond this model.
The racing 250 Testa Rossa was one of the most successful Ferrari racing cars in its history, with three wins at Le Mans, four wins at Sebring, and two wins at Buenos Aires.
Perhaps the most famous 250 of all was the 250 GTO, often called the first supercar. A radically-restyled GTO, properly the 250 GTO/64, was launched in 1964, but just 39 were built.
The mid-engined 250 Le Mans looked every bit the prototype racer but was intended to be produced as a road-going GT. Descended from the 250 P, the Le Mans also appeared in 1963 and sported Pininfarina bodywork. Ferrari was unable to persuade the FIA that he would build the 100 examples required to homologate the car for GT racing. Eventually, 32 LMs were built up to 1965. As a result, Ferrari withdrew from factory participation in the GT class of the 1965 World Sportscar Championship, allowing the Shelby Cobra team to dominate the class.
The 1953 250 Export and Europa were the only of the family to use a different engine. They shared the 2953 cc Lampredi V12 designed for Formula One use.
The Export model was similar to the 250 MM with its 2,400 mm (94.5 in) wheelbase. One exception was its 220 PS (162 kW; 217 hp) Lampredi engine. It was launched at the Paris Motor Show of 1953.
The 250 Europa, also introduced in Paris in 1953, looked entirely different. With the long 2,800 mm (110.2 in) wheelbase and Ferrari America-style bodies, it was designed as more of a grand tourer than any previous 250. Both Pininfarina and Vignale handled the coachwork, with 21 produced in total.
The 250 design was extremely successful on the race course as well as the street. A number of GT models were built in varying states of road or racing trim.
The first street car to use Colombo's 250 V12 was the 250 Europa GT, introduced at the 1954 Paris Motor Show. Pinin Farina's sober Paris coupe was just one of many shapes for the 250 GT line, with coachbuilt production extending through 1956 before the 250 line became more of a standardized product. The original 250 Europa GT used a 2,600 mm (102.4 in) wheelbase on a conventional chassis. The dry sump V12 was tuned to 220 PS (162 kW; 217 hp), with three Weber 36DCZ3 carburettors. Aping the Vignale's 250 Europa, Pinin Farina added now-familiar vents to the front fenders, a standard styling feature for many of the 250 GTs that followed.
Pinin Farina introduced a 250-based prototype at the 1956 Geneva Motor Show which came to be called the 250 GT Boano. Intended as a styling exercise and inspiration to 250 GT Europa customers, demand soon called for construction of a series of the car.
Unable to meet demand, Pinin Farina asked Mario Boano, formerly of Ghia, to handle the construction. When Fiat recruited Boano, he handed production duties of the Ferrari to his son-in-law Ezio Ellena. With partner Luciano Pollo, Carrozzeria Ellena would produce the Ferrari for another few years. Ellena revised the car, raising the roof and removing the vent windows from the doors.
All but one were coupes. The the single convertible, 0461 GT, was sold to New York collector, Bob Lee, off the stand at the 1956 New York Auto Show. At the direction of Enzo Ferrari, Lee bought the car for $9,500, far below cost. He still owns it, making it one of the oldest Ferraris still in the hands of the original purchaser.
Named for the 10-day Tour de France automobile race, not the famous bicycle race of the same name, a number of 250 GT "Tour de France" Berlinettas were sold for GT races from 1956 through 1959. There was actually 84 Tour de Frances built. Construction was handled by Carrozzeria Scaglietti based on a Pinin Farina design. The engine began at 240 PS (177 kW; 237 hp) but rose to 260 PS (191 kW; 256 hp) by the end.
A one-off short wheelbase Tour de France was built for the 1959 24 Hours of Le Mans. This car, called the 250 GT Interim, would foreshadow the 2,400 mm (94.5 in) SWB cars of 1959. The 250 GT Interim is currently owned by Lulu Wang.
About 36 examples were produced before a second series was shown at Paris in 1959. These later cars had much more in common with the production Berlinetta.
About 200 of the series two cars were built.
Designed for export to America, the 1957 250 GT California Spyder was Scaglietti's interpretation of an open-top 250 GT. Aluminum was used in the bonnet, doors, and boot lid, with steel specified elsewhere for most models, though a few aluminum-bodied racing versions were also built. The engine was the same as in the 250 Tour de France racing car with up to 240 PS (177 kW; 237 hp). All used the long 2,600 mm (102.4 in) chassis.
45 were made before it was replaced by the SWB version in 1960, and it remains highly valuable for automotive collection, with one example auctioned on August 18, 2007 at Monterey, California for $4.9 million.
Desiring to enter series production in order to stabilize the company's finances, Enzo Ferrari asked Pininfarina to design a simple and classic 250 GT coupe. The resulting car was introduced at Milan in 1958, and 335 nearly-identical examples were built by 1960. Buyers included Prince Bertil of Sweden. The GT Coupe eschewed the fender vents for simple and clean lines and a notchback look with a panoramic rear window. The oval grille was replaced by a more traditional long narrow look with protruding headlights. Traditional telescoping shock absorbers were also fitted instead of the Houdailles found on previous 250s, and disc brakes were added in 1960. The final 250 GT Coupe had a Superfast tail and was shown at the 1961 London Motor Show.
In line with the high-volume coupe, Pinin Farina also designed a plainer 250 GT Cabriolet for series production. Introduced at the 1959 Paris Motor Show, the GT Spider sported a look similar to the GT Coupe of the previous year, including the removal of the side vents. About 212 were produced.
One of the most important GT racers of its time, the 1959 250 GT Berlinetta SWB used a short (2,400 mm (94.5 in)) wheelbase for better handling. Of the 176 examples built, both steel and aluminum bodies were used in various road ("lusso") and racing trims. Engine output ranged from 240 PS (177 kW; 237 hp) to 280 PS (206 kW; 276 hp).
Development of the 250 GT SWB Berlinetta was handled by Giotto Bizzarrini, Carlo Chiti, and young Mauro Forghieri, the same team that later produced the 250 GTO. Disc brakes were a first in a Ferrari GT, and the combination of low weight, high power, and well-sorted suspension made it a competitive offering. It was unveiled at the Paris Motor Show in October and quickly began selling and racing. The SWB Berlinetta claimed GT class of the Constructor's Championship for Ferrari in 1961.
Replacing their LWB California Spyder with a SWB version, Scaglietti showed a new 250 GT Spyder California at Geneva in 1960. Based on the 250 GT Berlinetta SWB, it also introduced disc brakes and a 280 PS (206 kW; 276 hp) version of the 250 V12. About 55 were built.
A record price for a 250 GT at auction was set on May 18, 2008 when a black 1961 SWB example that had been owned by The Magnificent Seven star James Coburn was sold for 6.4 million Euros/£5.5 million/$10,894,900 (€7,040,000 including fees).
The LWB 250 GT theme was expanded with the 2+2 model 250 GT/E. The first large production four-seat AC Ace was a car made by AC Cars of Thames Ditton, England.
AC came back to the market after the Second World War with the staid Two-litre range of cars in 1947, but it was with the Ace sports car of 1953 that the company really made its reputation in the post war years. Casting around for a replacement for the ageing Two litre, AC took up a design by John Tojeiro that used a light ladder type tubular frame, all independent transverse leaf spring suspension, and an open two seater alloy body that was made using English wheeling machines, possibly inspired by the Ferrari Barchetta of the day.
Early cars used AC's elderly two litre, overhead cam, 100 bhp (70 kW), straight six engine (first seen soon after the end of the First World War) which gave a top speed of 102 mph (164 km/h) and 0-60 mph (96 km/h) in 13 seconds. It was hardly a sporting engine, however, and it was felt that something more modern and powerful was required to put the modern chassis to good use. Thus, from 1956, there was the option of Bristol Car's superb two litre 120 bhp (89 kW) straight six engine with 3 downdraught carburettors and slick four speed gearbox. Top speed leapt to 116 mph (186 km/h) with 0-60 (96 km/h) in the nine second bracket, and response was much sweeter and modern. This was replaced in 1962 with the 2.6 litre Ken Rudd 'Ruddspeed' engine, adapted from that used in the Ford Zephyr. It used 3 Weber or SU carburettors and either a 'Mays' or iron cast head. This set up boosted the car's performance further, but it was not long before Carroll Shelby pulled AC's attention to the Cobra, so only about 40 were ever made.
In the final years of productions some Ace models were fitted with the MKII Ford Zephyr 2.6 litre straight-6 engine. These Ford engined models had a smaller grille which was carried over to the Cobra.
Overdrive was available from 1956 and front disc brakes were an option from 1957, although they were later standardized. With the engine well back in the chassis, the Ace handled well and was successful in competition.
Joining the Ace in 1954 was the Aceca hard top coupé, which had an early form of hatchback rear door but used the same basic timber framed alloy body.
The British Motor magazine tested an AC engined Ace in 1954 recording a top speed of 103 mph (166 km/h) and acceleration from 0-60 mph (97 km/h) in 11.4 seconds and a fuel consumption of 25.2 miles per imperial gallon (11.2 L/100 km; 21.0 mpg-US).
The car raced at Le Mans in 1957 and 1958. Few cars with this provenance have survived and are extremely valuable. They can range from $100,000 or more for an unrestored car, even one in pieces, to in excess of $400,000 for a restored AC Ace.
When Bristol ceased building their 6-cylinder engine in 1961, AC's owner, Charles Hurlock, was approached by Carroll Shelby to use a Ford V8 in the Ace chassis, producing the AC Cobra in 1962. Production of the Ace ended the same year. The AC Cobra came in small block and later big block configurations. It was Ford's big block 427 "side-oiler" that led to the car winning Le Mans in June 1964. At the time, the AC Cobra 427 was the fastest "production" car in the world.
The Ace name was reintroduced in 1994 with a radically new design. The new Ace offered an option of a 305 hp (227 kW) Ford V8 "Quad Cam" or a Lotus 350 hp (261 kW) engine. The car has features such as air conditioning, full hide interior and GPS navigation.
Ferrari (earlier four seaters were made in very small numbers). Interior space was increased by moving the engine forward in the chassis. The rear seats were ideal for children but rather tight for adults.
Engine output was listed at 240 PS (177 kW; 237 hp).
Almost 1,000 GTEs were constructed by Pininfarina with prototypes starting in 1959 and continuing through three series until 1963. The model was followed by the visually similar 330 Americas.
The large production run of the GT/E was a major contributor to the financial well being of Ferrari in the early 1960s. MSRP of the GT/E was $11,500.
Pinin Farina updated the 250 GT with the GT Lusso or GTL. Introduced at the 1962 Paris show, the car sported flowing lines and a fastback shape typical of the GT cars of the mid-1960s. Under the bonnet was the 250 GTO's Tipo 168 engine with 250 PS (184 kW; 247 hp) and three Weber 36DCS carburettors.
Scaglietti handled construction of the Lusso which lasted through 1964 with few modifications.
A 250 in all but name, the 1963 330 America shared the outgoing model's chassis if not its engine. Powered by the new 4.0 L engine of the later 330 cars, 50 330 Americas were built. Likely the most famous 330 America is that belonging to California socialite Sandra Ilene West. Mrs. West was buried at the wheel of her car following a 1977 drug overdose. Her instructions specified that she be clad in her lace nightgown with the driver’s seat "slanted at a comfortable angle". The car (and driver) is interred at the Alamo Masonic Cemetery, San Antonio, Texas. In the early 1990s (as reported in Classic Car magazine), a green-metallic 330 coupe was regularly abandoned, claimed and then re-abandoned in Melbourne over the course of 4 years. Its ultimate fate is not known.
Tractor manufacturer Ferruccio Lamborghini owned at least three Ferrari 250s: a 250GT coupe by Pininfarina, one or two 250 SWB Berlinettas by Scaglietti, and a 250GT 2+2 by Pininfarina. He was frustrated by frequent clutch problems and complained to Enzo Ferrari. Ferrari insulted Lamborghini, who then resolved to build better GTs and sports cars than Ferrari. Lamborghini hired ex-Ferrari engineers to design and develop his Lamborghini cars.